Showing posts with label Broadway Musicals. Show all posts
Showing posts with label Broadway Musicals. Show all posts

Thursday, June 9, 2011

Do Do That Voodoo That You Do So Well... Considering Cole Porter On His 120th Birthday

The Husband, Lil'Jake, the hip-hop artist & designer, & I needed a movie & we watched the clever, charming, astute, assured, sweet, sentimental & hopeful film- Midnight In Paris, where Cole Porter is an inspiration, a character, & a plot point. I loved this movie. A B+ on the Steve Report Card.


Born in Peru, Indiana in 1891, Porter studied music from an early age, & began composing as a teenager. After high school he attended Yale University, where he was voted “most entertaining man.” He went on to law school at Harvard University, but his interest remained in music. At Harvard he continued to write songs, & a some of his pieces were used in Broadway musicals.

Porter by Avedon

In 1916, his first full score was performed. The musical- See America First was a flop & closed after only 15 performances. Bruised by the experience, he began to travel around Europe & got an apartment in Paris. This was the beginning of his life long affection for the city, which he would return to in songs- You Don’t Know Paree & I Love Paris. During his time in Europe, Porter contributed to many musicals, but until his song- Let’s Do It, Let’s Fall In Love appeared in the 1928 musical Paris, he had not had a big hit. Paris was a place Cole flourished socially. He attended parties with his pal Noel Coward. The parties of the era were elaborate & fabulous, attended by the upper crust. His own parties were marked by gay & bisexual activity, cross-dressing, international musicians & actors, & a large surplus of recreational drugs. I sometimes think I was born in the wrong era, the very theme of Midnight In Paris.

Porter started spending time with American divorcee- Linda Thomas, & they became close friends quickly. Their financial status & social status made them prefect as a married couple.The fact that Linda's ex-husband was abusive & Cole was gay made the arrangement even more perfect. Linda was always one of Porter's staunch supporters & being married increased his chance of success. Being married to Porter allowed Linda to keep high status in society for the rest of her life. They married in 1919 & lived in a happy arrangement, a successful public relationship, but a sexless marriage until Linda's death in 1954.

Porter was happy with a life in Hollywood in the 1930s, including a more liberal movie industry where Porter enjoyed more open sexual adventures. At the time, it was somewhat more acceptable to be an eccentric gay artist, but Linda feared for Porter’s reputation & career. Her social standing was threatened by his activities & the rumors in upper-crust social circles.

Despite a horseback riding accident in 1937 that crippled him for life, Porter produced much of his best work in the 1940s &1950s. He wrote 100s of songs for Broadway shows, movie musicals, & TV specials. His most successful musical- Kiss Me Kate opened in 1948 & ran for over a 1000 performances. A recluse in his later years, Porter died in California in 1964.

In 1945 the film Night & Day was made with Cary Grant, allegedly about the life of Cole Porter. This movie has almost nothing to do with the actual life of the songwriter. Night & Day leaves out the important elements of his gay life, & his sexless marriage of convenience.

The 1990 album- Red, Hot, & Blue. features Cole Porter songs sung by popular musicians of the 1980s & 1990s. It remains a favorite of mine. The dismal 2004 movie- De-Lovely, with an improbable Kevin Kline as Porter, came a tiny bit closer to the true story & featured beautiful sets, major actors, famous current musicians, & a strong Hollywood marketing campaign for the movie & the soundtrack. But for me, this movie is a miserable mess.

The songs of Cole Porter mean a great deal to me. This is my favorite:

Tuesday, May 17, 2011

Born On This Day- May 17th... Howard Ashman


Despite spending my childhood, adolescence & young adulthood as an A+ berserk Musical Theatre Queen, living & breathing musicals, collecting the original cast albums for the most obscure shows: Something’s Afoot, Allegro, Salad Days, Dear World, Kean, Goldilocks, The Rothschilds, Two By Two, It’s A Bird, It’s A Plane, It’s Superman, Subways Are For Sleeping, The Robber Bridegroom, 70, Girls, 70, Smile, The Golden Apple, The Apple Tree, Juno… I could go on & on.

But, I got off that Musical Theatre ride in the early 1980s. I was less than enchanted with the offerings; I didn’t move well into the Cats & Miss Saigon era.  I found more enjoyment in appearing in a musical than listening to one. My personal listening taste moved towards Elvis Costello, The Police & The Clash & away from Sondheim.

 The big exception to my new frame of mind was Little Shop Of Horrors from 1982. I listened to this show until the LP was worn through. I knew every song from the score & was convinced that I could play any of the roles. I always wanted to do Somewhere That’s Green in my act, but never got the chance to work it up. It remains a favorite musical of mine, certainly in the top 10 of all time.

I honor lyricists on my little spot on the Internet & Howard Ashman is one of the best. Despite having once made a good chunk of my living from doing voice-overs, I am not a fan of animated films. Ashman collaborated with his artistic partner- Alan Menken on several notable animated features for Disney, Ashman writing the lyrics & Menken composing the scores.

Howard Ashman first worked with Alan Menken on a 1979 musical adapted from Kurt Vonnegut's God Bless You, Mr. Rosewater. They next collaborated on Little Shop of Horrors with Ashman as director, lyricist, & librettist. Ashman left the team once, as director, lyricist & bookwriter for the 1986 Broadway musical, Smile with music by Marvin Hamlisch.

 Menken & Ashman would go on to win 2 Grammys, 2 Golden Globes & 2 Oscars for songs from. Just days after he won the Oscar for Under the Sea from The Little Mermaid, Ashman confided in Menken that he had AIDS. His illness was made him weaker every day, but Ashman never stopped writing songs. He wrote the witty & warm lyrics for Beauty & The Beast, & turned out more songs for a 3rd Disney animated musical- Aladdin. Ashman’s last Academy Award in 1992 was awarded posthumously for Best Song. It was accepted by his long time partner, Bill Lauch.

 Ashman died at the age of 40 in NYC, during the making of both Beauty & the Beast & Aladdin.

He was posthumously named a Disney Legend in 2001. Beauty & the Beast was dedicated: “To our Friend Howard, who gave a mermaid her voice & a beast his soul, we will be forever grateful. Howard Ashman 1950-1991”. His headstone reads "O that he would have but one more song to sing". Ashman would have been 61 years old today.

Wednesday, May 11, 2011

Born On This Day- May 11th... The Great Irving Berlin

On a late summer evening in 1978, a jaw-droppingly handsome young man with deep blue eyes, stood straight up lower center stage, & with a sweet pure tenor, sang the 1924 Irving Berlin tune- What’ll I Do? for an audition. I was impressed with his good looks & his talent. I cast him. A year later this young man would tell me that he was in love with me & wanted to spend every moment with me until the end of his life, while Harry Nillson sang What'll I Do on my stereo in the background. This handsome man would eventually become my Husband & I would spend more than half of my life at his side.

This is the man who auditioned to become my husband by singing an Irving Berlin song, circa 1978.

Irving Berlin wrote for Broadway & Hollywood. He composed 17 complete scores for Broadway musicals & revues, including the phenomenal score for ANNIE GET YOUR GUN. Among the Hollywood movie musical classics with scores by Irving Berlin are TOP HAT, FOLLOW THE FLEET, ON THE AVENUE, ALEXANDER'S RAGTIME BAND, HOLIDAY INN, THIS IS THE ARMY, BLUE SKIES, EASTER PARADE, WHITE CHRISTMAS & THERE'S NO BUSINESS LIKE SHOW BUSINESS. His songs have provided memorable moments for other films, from THE JAZZ SINGER in 1927 to HOME ALONE in 1991. Among his many awards are Grammys, 2 Tony Award & the Academy Award for WHITE CHRISTMAS in 1942.

He was born 103 years ago today... Irving Berlin, not the Husband. 



Gone is the romance that was so divine.
'tis broken and cannot be mended.
You must go your way,
& I must go mine.
But now that our love dreams have ended

What'll I do
When you are far away
& I am blue
What'll I do?

What'll I do?
When I am wond'ring who
Is kissing you
What'll I do?

What'll I do with just a photograph
To tell my troubles to?

When I'm alone
With only dreams of you
That won't come true
What'll I do?

What'll I do with just a photograph
To tell my troubles to?

When I'm alone
With only dreams of you
That won't come true
What'll I do?


Monday, May 2, 2011

More Than Glad To Be Unhappy

In 1980, I appeared in a musical revue- Rodgers & Hart. I had the good thrill of singing: Could Write A Book, Isn’t It Romantic & my favorite to charm the audience- Where Or When. It was my understanding that I was very good. I do have a way with a song, a dance & an audience.


Lorenz Hart was born 116 years ago today-May 2nd. Hart wrote over 500 songs with the most sophisticated lyrics for the most enthralling melodies. But this is a sad story. He agonized over life. His felt that he was a misplaced person, whose job was to observe the beautiful people, then put ravishing words in their perfect mouths, to make them sound & feel as smart as they seemed.

Richard Rodgers, the Broadway composer, enjoyed long collaborations with the 2 most prominent lyricists of the American musical. He worked with his first partner- Lorenz Hart, from 1919 until Hart's death, at 48, in 1943. He teamed with Oscar Hammerstein II from the groundbreaking Oklahoma! until 1943 with Hammerstein's death, in 1960. His work with Hart makes their tunes particularly non-Hammerstein in flavor.

Written 70 to 90 years ago, mostly for now forgotten Broadway shows & movies, brittle & world-weary tunes: Manhattan, Blue Moon, My Funny Valentine, Where or When, The Lady Is a Tramp, Bewitched, Bothered & Bewildered, & many more, sound both of today & timeless. They sing with confident wit, & confidential despair about hearts ready to break, melt or explode. Rodgers' melodies get you humming & dreaming, but the subject & style of these songs come straight from Hart's heart.

Hart was very short of stature & unattractive in face. Lyricist Alan Jay Lerner, "a man who seemed deprived of the happiness his lyrical gifts gave to others.” He was profoundly alcoholic & gay. Hart found little enjoyment in his homosexual experiences. Terrified of intimacy, he would wait for sex partners to fall asleep, then creep out of bed & curl up on the floor of his bedroom closet to get some sleep. Several of Hart's acquaintances confirm that he went to private orgies, but strictly as a voyeur. He found watching from the sidelines less stressful than joining in. He seems to have been incapable of any intimacy, & sought solace in the sexual company of hustlers & the occasional chorus boy. His erratic behavior & troubled ways moved the very straight Rodgers to eventually choose another writing partner.

Offered the chance to write what would become Oklahoma!, Hart sensibly said no thanks. (It's hard to imagine a less Hart-ish show.) After the opening night performance, Hart walked into Sardi's & told Rodgers, "This is one of the greatest shows I've ever seen in my life, &it'll be playing 20 years from now."

Rodgers & Hart collaborated one more time though. In 1943, they did 5 new songs for a revival of their 1927 hit A Connecticut Yankee. The last lyric Hart wrote was for To Keep My Love Alive, sung by a noble lady who tires easily of men,15 husbands &15 early funerals:
"Sir Philip played the harp; I cussed the thing.
I crowned him with his harp to bust the thing.
& now he plays where harps are just the thing,
To keep my love alive."

Just before the opening of the show, Hart had been on a drinking & hustler binge, & when he arrived at the theater an exasperated Rodgers refused to let him enter the theatre. Hart sat in the November rain on a curbside drinking & crying. 2 days later, ill with pneumonia, he was taken to Doctors' Hospital where he died 3 days later. He was just 47 years old. Now he plays where harps are just the thing.

Some of the Hart lyrics:


• Bewitched, Bothered, & Bewildered
• Blue Moon
• Dancing on the Ceiling
• Falling in Love with Love
• Glad to Be Unhappy
• Have You Met Miss Jones?
• He Was Too Good to Me
• I Could Write a Book
• I Didn't Know What Time It Was
• I'll Tell The Man In The Street
• Isn't It Romantic?
• It Never Entered My Mind
• It's Easy to Remember
• I've Got 5 Dollars
• I Wish I Were in Love Again
• Johnny One Note
• The Lady Is a Tramp
• Little Girl Blue
• Lover
• Manhattan
• The Most Beautiful Girl in the World
• Mountain Greenery
• My Funny Valentine
• My Heart Stood Still
• My Romance
• Ship Without a Sail
• Sing for Your Supper
• Spring Is Here
• Ten Cents a Dance

• There's a Small Hotel
• This Can't Be Love
• To Keep My Love Alive
• Where or When
• With a Song in My Heart
• You Took Advantage of Me

I have been happily enamoured of Hart's work for 5 decades, naming a favorite would change on a whim, a mood or the discovery of a lyric that had previously ignored. Today I am drawn to It Never Entered My Mind from 1940. Not to be too immodest, I do this song justice myself:



Monday, April 4, 2011

Born On This Day- April 4th... Closet Case Anthony Perkins

Artist Don Bachardy & longtime friend: ''Of course we'd heard Tony married. I thought that was just awfully odd behavior for him. Did he honestly think that marriage to Berry Berenson (sister of actress Marisa) could make him a heterosexual?'' Anthony Perkins had a taste of the best men of late 20th century, having had affairs with: Rock Hudson, Tab Hunter, Rudolf Nureyev, Leonard Bernstein, James Dean, Stephen Sondheim, & dancer/choreographer Grover Dale, with whom Perkins had a 6 year relationship before his marriage to Berenson.


He was a very talented, Oscar nominated actor of stage, screen & TV, but one unforgettable movie-1960's Psycho resulted in the kind of typecasting that kills a bright career. The heir apparent to James Dean after a string of star making stage performances in Tea & Sympathy & Look Homeward, Angel, by 1981, Anthony Perkins was reduced to doing Psycho sequels & commercials in Japan.


The era of Perkins, Tab Hunter & Rock Hudson was an especially claustrophobic & chancy period for gay actors. Longtime Perkin's affair- Tab Hunter: ''It was the excruciating dance of the 1950s''. There were men only private parties, the Times Square gay porno theaters where Perkins sometimes passively watched other men have sex, the arranged dates with starlets for Modern Screen, & the fear gay actors had that magazines like Confidential would expose them, the way it did with Tab Hunter, one of Perkins' first lovers. It was the 1950s, a public person could not go public, even if he wanted to, & Perkins didn't want to.

Who would have suspected that he way gay?

Perkins was nothing if not ambitious. Perkins' buddy Alan Sues:''Nothing was going to get in the way of his career". He lived platonically for years with a domineering older woman- Helen Merrill while enjoying sex with a long line of male lovers.

Yet Perkins' puzzling marriage to Berenson in 1973 seemed more than just a marriage of convenience. Berenson, who'd had a schoolgirl crush on Perkins, pursued him relentlessly, & the couple eventually had 2 sons- Osgood & Elvis. Perkins was devoted to Berenson & his boys, though his gay friends privately doubted his claims that he was faithful to her. Perkins, in trying to convince Hollywood he was straight by marrying, may have actually brought himself real happiness. Closeted Dominick Dunne:''It was a real sense of marriage betweeen them. Whatever they had, it was wonderful. I mean, it was a real & loving family."

Perkins acknowledged he had AIDS posthumously, in a statement dictated to his sons, Osgood & Elvis: ''I chose not to go public about this because, to misquote Casablanca, 'I'm not too much at being noble, but it doesn't take much to see that the problems of one old actor don't amount to a hill of beans in this crazy old world.'' Perkins died at age 60, on September 12, 1992, from complications of AIDS. He was cremated, & his ashes were given to his family. Berenson was killed on American Airlines Flight 11, on September 11th, 2001, the day before the anniversary of his death.



Footnote: As a youth I collected Original Broadway Cast Albums & in my collection was Greenwillow, a stinker, even with a score by the great Frank Loesser.This play was being rehearsed in New York while Anthony Perkins was simultaneously filming Psycho in LA. Over the years in interviews about the infamous shower scene in that film, Anthony Perkins has always said that during the whole week of filming required for that scene, his stand-in was used, because he was in NYC rehearsing for a Broadway play. Greenwillow was that play. The musical did have one magical musical number, a song I like a great deal, but never got to sing in my act- Never Will I Marry, odd, Perkins & I both got married.



Monday, February 28, 2011

Broadway Baby

Happy Birthday, Bernadette Lazzara! Of all the Broadway Divas: Betty, Barbara, Patti, Chita, Kristin, Audra, Chita, Carol…or even Angela, the one with the most special place in my heart & on my stereo is Bernadette Peters. I first saw her in George M! in 1968 & I absolutely fell in love with the voice, the va va voom curves, the cinnamon curls, the dramatic chops, & the crack comic timing. But, it is really about the voice. She has been working on stage for 59 years: Curley McDimple, Dames At Sea, George M!, On The Town, Mack & Mabel, Sunday In The Park With George, Song & Dance, Into The Woods, The Goodbye Girl, Annie Get Your Gun, & Gypsy!.




Bernadette does amazing work for animal rights with her organization with Mary Tyler Moore- Broadway Barks & is the author of a popular children’s book of the same name.


I have seen her many times in musicals & in concert. My personal favorite was Annie Get Your Gun on Broadway in 1999. Peters sings with her whole body. Not just a few arm gestures for punctuation, as many excellent singers offer, but the music seems to travel from her toes to the tip of her nose as she bends, reaches & throws her head back to let out the final notes.


She turns 63 today & she looks terrific. A perfect example of the advantage of staying out of the sun. But again, for me it is all about the voice:

Thursday, February 3, 2011

Born On This Day- February 3rd... Talented Nathan Lane


The Husband & I channel surfed on to the The Birdcage the recently, a movie that I don’t actually think is very good, but whenever I chance upon it, the movie seemingly gets my full attention.

This got me thinking about Nathan Lane… & he ended up with my career! I wanted to establish myself as the "go to" guy for comic musical roles. I wanted to make my home on the Broadway stage, but not be afraid to venture into films, some Disney voice work would be nice & maybe do a sitcom at some point. I wanted to make room for all those Tony Awards on my mantle. When I was firmly established as a comic leading man, I would come out of the closet & hope for the best. I wanted to play opposite Matthew Broderick in one of the biggest hit musicals of all time, & follow that with turns in a Beckett classic & a new Mamet play. I wanted to be Terrance McNally's muse & have him write roles just for me like: The Lisbon Traviata, as Mendy- a gay man with an obsession with the opera singer Maria Callas, Bad Habits, Lips Together, Teeth Apart, the Tony-winning Love! Valour! Compassion!, & a film version of Frankie & Johnnie. I would have even been unapologetic when I starred opposite Bette Midler in the Jacqueline Susann biopic Isn't She Great.

I never got to star opposite Bebe Neuwirth in The Addams Family on Broadway. Oh well, Nathan Lane is the toast of Broadway, & I am the toast of Post Apocalyptic Bohemia, with a big ol' chip on my shoulder. I hope he is happy as he turns 55 today!

Monday, January 31, 2011

I've Got A Goal Again, I've Got The Drive Again, I'm Gonna Feel My Heart Coming Alive Again, Before The Parade Passes By

It was one of my most favorite musicals growing up. I had the Original Broadway Cast album of Hello, Dolly! with today’s birthday girl, & I augmented my collection with cast recordings with Pearl Bailey, Ethel Merman, & the Japanese & Finnish casts, plus the London cast featuring Mary Martin as Dolly Levi. But nothing was better than the original with Carol Channing.
In 1921, Albert Einstein was explaining his new Theory of Relativity, Charlie Chaplin's movie The Kid was released, Babe Ruth became the home run champ, Turkey made peace with Armenia, President Harding dedicated the Tomb of the Unknown Soldier in Arlington Cemetery, Eugene O'Neill's Anna Christie received its premiere on Broadway, & in Seattle, on January 31st, living legend Carol Channing was born.
Channing is a singing, dancing, acting force of nature & one of our biggest stars, but even with her fabulous talent, it is difficult to pinpoint exactly what Channing’s appeal is. Her face & voice are instantly recognizable, yet in her long career, she has worked in only 5 movies including the LSD comedy Skidoo (1968), often cited as one of the worst movie ever. Channing was nominated for an Oscar & won the Golden Globe for her work in Thoroughly Modern Milley. Her triumphs were always been on the Broadway stage.

Channing is a true original. She was never a bombshell, & she is rather demented without being risqué or grotesque. And she's a belter along the like Ethel Merman, but without being brassy. She has been often cast been cast as a gold digger while there is nothing seductive about her persona.


Channing’s contradictions made a little more sense when I read her engaging autobiography- Just Lucky I Guess: A Memoir of Sort. She speaks candidly about her messy break up with her husband of 41 years, Charles Lowe. Carol disclosed that she & Lowe had only ever had sex "once or twice in our 41-year marriage & that was 41 years ago.”  She stuck to her wedding vows the whole time & didn't have sex with anyone else. What opportunities did she pass up?  Lowe had spent most of her hard earned fortune, & to make matters more bizarre, the scandal reached its anti-climax when Channing broke the news that the hubby was a homo.  A camp icon with a gay husband isn’t as shocking as the 41 year dry spell.  After 31 years, even the Husband & I manage to knock one out every month or so. The memoir also reveals that her grandfather was African-American.
Even with her resilient image, Channing has had her hardships. She triumphed on Broadway as fortune hunting Lorelei Lee in Gentlemen Prefer Blondes, but Hollywood cast Marilyn Monroe in the film version. Monroe saw the show over & over, & borrowed Channing’s best bits. Channing really owned the role of Dolly Levi in Hello, Dolly!, she was the first & most famous in the role on even followed by such talents as Ethel Merman, Phyllis Diller, & Pearl Bailey. But director Gene Kelly thought casting her was too risky & gave the role to Barbra Streisand who was decades too young for the role (Streisand would be perfect now).
I love her so much in Thoroughly Modern Millie, playing a rich, madcap matron Muzzy Van Hossmere, who makes her entrance flying in a biplane, quaffing champagne. She blew my little13 year old gay mind with her 2 big musical numbers- Jazz Baby where she tap dances on a xylophone, & Do It Again which begins with Channing being shot out of a cannon.
Channing has played Dolly Levi in over 4,000 times to packed-houses around the globe without ever missing a performance. Hello, Dolly! was the first Broadway musical to play China.
In May 2003, she married her 4th husband, Harry Kullijian, her junior high school sweetheart, who reunited with her after she mentioned him fondly in her memoir.  They renamed the school's auditorium The Carol Channing Theatre in her honor. The city of San Francisco proclaimed a Carol Channing Day, for her advocacy of gay rights & her appearances as the host of the Gay Pride events around the country.



Kullijian: "Carol & I are looking at all the children in the United States. We often say, ‘Those children are our children. They're all Americans.' They have to be uplifted. They have to experience music, literature, poetry, theater, sculpture & paintings. It's a crime that these things are falling to the wayside. Art is the mainstay of our souls. I believe that Carol Channing is the one person in this country who can say ‘Come on folks, let’s get together with one voice & make this happen because the future of this country is at stake."


Carol Channing turns an astonishing 90 years old today. Happy Birthday!

Saturday, January 15, 2011

Born On This Day- January 15th... Gay Icon Ivor Novello

"Lovemaking is an art which must be studied & practiced."





I love this film & after seeing Robert Altman's brilliant Best Picture nominated film- Gosford Park for the 4th time, I had to explain to a friend that the character of Ivor Novello was not from the imagination of screenwriters Bob Balaban & Mr. Altman. Jeremy Northam's portrayal of the matinee idol was so effortless & elegant that it's easy to believe him to be just another one of Altman's brilliant creations. But Ivor Novello was, in fact, a major & important celebrity in the 1st half of the 20th century, the kind Cole Porter & Noel Coward personified & loved to write about: the smoking jacket wearing, martini drinking, man-about-town, & what a big surprise… Ivor Novello was gay!



He was born David Ivor Davies January 15th, 1893 in Cardiff, Wales.

Ivor Novello did it all, working on the stage to the silent screen in D.W. Griffith's The White Rose & the early Hitchcock thriller- The Lodger. He wrote popular plays such as The Rat & movies- Tarzan the Ape Man ("Me Tarzan, you Jane" was the invention of Novello). He gave Vivien Leigh her stage name, & wrote the patriotic song Keep the Home Fires Burning. He was the Andrew Lloyd Webber of the '30s & '40s, composing lush, romantic musicals- like Glamorous Night & Perchance to Dream.



He was as versatile & prolific as his friend & rival Noel Coward. Critics fell all over themselves trying to describe his romantic appeal, which proved to be as powerful to many male theatre & moviegoers as to the legions of Novello's swooning female fans. Coward himself would admit Novello could be "violently glamorous" but also "a little vulgar too”. I think that was the secret of his appeal.





In 1916, Novello met 21 year old actor Robert Andrews. They became lovers & remained together for 35 years. They appeared together in many of Ivor Novello's plays & musicals. Novello bought a house in Jamaica, near Noel Coward’s, where he & Andrews spent time together. They were devoted to each other until Novello’s death & were rarely seen without the other. In 1951, Andrews was with Ivor Novello when he died at their London flat. 10,000+ fans lined the streets of London to say good-bye, & the service was broadcast live. Noel Coward: "Ivor & Bobby are beguiling, but they also ramble on ad nauseam about 1 topic- the month Novello spent in prison in 1944 for misusing wartime petrol coupons. They forever lamented the ‘injustice’ of it all”. On Novello’s passing Coward wrote in his diary: "Another landmark swept away. Poor, poor Bobby…he will be utterly devastated.”



The Ivor Novello Awards have been given annually, since 1956, to British songwriters & music publishers. Past recipients of "Ivors" include Peter Gabriel, Elton John, Sting & Paul McCartney. Last year the fab song The Fear by Lily Allen won for best song.

In an era before there was such a thing as "openly gay," Ivor Novello lived an unapologized for life of authenticity & openness. How great is it that his last play, staged in 1951, would be titled- Gay's the Word?

Saturday, January 8, 2011

& If It Wasn't For Me, Than Where Would You Be, Miss Gypsy Rose Lee?




Some readers understand that Gypsy! is my favorite musical. I consider it a near perfect piece of theatre. I have it on good authority, because I am well connected in Hollywood, Barbra Streisand is to produce, direct & star in a new movie version of ths classic show. It has been filmed once before, with Rosalind Russell as an effective, but the softest of Mama Roses. I am not sure how I feel about Streisand (Tom Hanks is attached to the project as Herbie, a role I was made to play). I admire Streisand’s talent as a director, but I am afraid that she is a tiny bit long in the tooth for a character that starts the show in her late 30s. Still, Babs doing Rose’s Turn does intrigue me. If this project is a go, I would like to suggest Glee’s Lea Michele as Louise.

Burlesque star, actress & writer Gypsy Rose Lee was born 100 years ago today. Dismissed as "untalented" by her own mother, she remains a source of inspiration 4 decades after her death.

Rose Louise Hovick was born in Seattle to a teenage mother right out of the convent. Louise got an early start in show business, appearing with her little sister June as vaudeville act. It was apparent that “Baby June” was the more talented one the siblings. From an early age, Louise was pushed to the background while June was moved to the spotlight.

The family relocated to Hollywood & the act was renamed “Dainty June, the Hollywood Baby, & Her Newsboys.” Rose’s overbearing determination to see her young daughters have successful stage careers soon led to a divorce from her husband.

In their teenage years, Louise & June had the responsibility of supporting the family. They traveled the country, playing cheap vaudeville theatres, living out of suitcases & skipping school completly. But when June was 13, she eloped with fellow vaudevillian Bobby Reed. The sister act was finished.

Louise was unable to sustain the act on her own. Aged 17, stranded in Kansas City without a booking, she was approached by an agent about appearing in a burlesque show when the usual stripper had landed in prison. Despite her mother’s objections, Louise took the job & was reinvented as Gypsy Rose Lee.

Gypsy Rose Lee made her NYC debut in 1931, at Minsky’s famous The Republic Theatre, the first burlesque house on Broadway. Comedians Abbott & Costello, Phil Silvers, & Red Buttons were on the bill, but the striptease artists were the stars. At height of the Depression, a stripper could make $2,000 a week. Gypsy Rose Lee would play 12 weeks straight at The Republic, setting a record for the theatre. She arrested during one of the many police raids on Minsky’s theatres & this only helped her climb in popularity.



Gypsy Rose Lee didn’t adopt the usual bumps, grinds, & gyrations of burlesque routines. She developed a slow strip which she accompanied with a smart patter song. Her patter was her biggest asset; in those days, women made up nearly half of the typical striptease audience, & she became famous for he onstage wit & sophistication.

When she turned of 33, Gypsy Rose Lee decided to have a child . She told June that she wanted to select: "the toughest, meanest son of a bitch that I can find, somebody who's ruthless, & my child will rule the world." She chose the great Hollywood film director Otto Preminger & slept with him exactly once. When he was 18, her son Erik demanded to know why she wouldn't tell him who his father was, Her retort: "Because it's none of your business."

Gypsy Rose Lee's autobiography, & the stage musical & the film based on it, made the mother even more notorious than the daughter. Her 1957 memoir was a bestseller, but could have sold far more copies had she told the real truth about herself & her mother. Rose shadowed her daughters for decades, insisting on money & credit for their fame long after it was due. June herself not only starred in the premiere of Pal Joey but wrote 2 memoirs that traced her career as a fine actress & stage director; she is still living (I am leaving my original post, but smart readers have pointed out that the talented June Havoc passed away last March. My bad.).

Gypsy! was a horror show dressed up as a show biz story, & Rose Hovick was the monster. The play & the memoir were, like everything else having to do with that family, highly fictionalized: it turns out that Rose, the original stage mother, was even worse in real life. She was guilty of at least 2 murders, & possibly a 3rd.

The essence of Gypsy! Is basically true: Rose's voracious, almost inhuman ambition, the early fame of Gypsy's younger sister, who could toe-dance at the age of 2 as "Baby June" on the vaudeville circuit & the desperation that set in when radio, movies & the Depression made vaudeville extinct. June really did elope with one of the act's chorus boys & things got worse. Louise could not sing, dance or act, but she was willing to take her clothes off on stage to put food in their mouths, & shrewd theater operators soon recognized that the way she did it was something special.

After one of her many arrests, Gypsy Rose Lees stated: "I was completely covered… in a blue spotlight". Her talent for publicity soon made her a household name. The more famous & adored she became, the fewer garments she had to take off.

Through the decades, Gypsy Rose Lee & June fought, then reconciled, with June helping to nurse Gypsy through her final battle with lung cancer in 1970. But as Gypsy lay dying, she whispered to her son Erik: "After I go, don't let June in the house. She'll rob you blind."

I can’t wait to read the recently released American Rose: A Nation Laid Bare... The Life & Times Of Gypsy Rose Lee by Karen Abbott. It has garnered very positive reviews.



Tony winner Laura Benanti in the Gypsy! on Broadway with Patti Lupone.

Friday, December 31, 2010

Born On This Day, New Year's Eve... Songwriter Jule Styne

He wasn’t gay, but he sure gave gay people something to sing about. Many of his tunes are connected to gay sensibities & gay culture in the 20th century. As a young Musical Theatre Queen, Jule Styne played a significant role in my early love of theatre music. Styne the versatile, prolific songwriter whose tunes became standards for 3 generations & the composer of such classic Broadway musicals as Gypsy, Gentlemen Prefer Blondes & Funny Girl, was born on this day- December 31st, in 1905.

Among Styne's enduring songs are: the Oscar-winning 3 Coins in the Fountain, I Don't Want to Walk Without You, Diamonds Are a Girl's Best Friend, Everything's Coming Up Roses, & Don’t Rain On My Parade.

His name was always less familiar than his music. This was probably because of his very flexibility. Styne: "You write as well as who you write with," & he usually let the lyricist & the star set the tone for the score.


Styne: "If you can't be a collaborator, you don't belong in the theater, & I am the greatest collaborator there is."


Styne estimated that he had written 2,000 songs, had published 1,500 and had 200 hits. Styne: "I'm talking about hit hits. The others were popular, but there were 200 hit hits: It's Been a Long, Long Time, It's Magic, Let It Snow! Let It Snow! Let It Snow!, Time After Time, People, Five Minutes More.


In Hollywood, he teamed up with Sammy Cahn for the romantic: I've Heard That Song Before, I'll Walk Alone & 3 Coins in the Fountain. On Broadway, he shifted from satire: Gentlemen Prefer Blondes with Leo Robin, to drama- Gypsy with Stephen Sondheim, to glitter- Funny Girl with Bob Merrill, & also working with Comden & Green on shows including 2 On The Aisle & Bells Are Ringing.

His songs often bore the stamp of the singers who introduced them: Carol Channing, Judy Holliday, Doris Day, Mary Martin, Barbra Streisand & Ethel Merman. How gay is that?

He once told an interviewer that he preferred to write the music before the lyrics, as he had done on Gypsy, his collaboration with Sondheim. Styne: "When the music is written first, the lyricist will do his best job because he is not writing to his own preconceived rhythmic notions."


Don't Rain on My Parade

Diamonds Are a Girl's Best Friend

Everything's Coming Up Roses


Guess I'll Hang My Tears Out to Dry


I Fall In Love Too Easily


I Still Get Jealous


Just In Time


Let Me Entertain You


Let It Snow! Let It Snow! Let It Snow!


Long Before I Knew You


Make Someone Happy  


The Party's Over


People


Saturday Night (Is the Loneliest Night of the Week)


Time After Time

My favorite Styne song is Neverland:

Sunday, October 31, 2010

Born On This Day- October 31st... Talented Ethel Waters

When doing research for my posts, I am always struck by the cruelty, hatefulness & challenges that were/are foisted on minority artists & performers in the past century. That their work should be adored & rewarded, but the artist would still need to enter a theatre or hotel by the back door. That these amazing performers persevered & gave us so much is a testament to the power of art.




Ethel Waters rose from stardom from a most-obscure beginning, a whore's alley in Philadelphia where she lived in poverty with her mother and grandmother. She faced unspeakable racism during her rise to fame. Ethel Waters was born on October 31, 1896, as a result of her mother's rape at age 13, Ethel Waters was raised in a violent, impoverished home. She never lived in the same place for more than 15 months. Waters: "I never was a child. I never was cuddled, or liked, or understood by my family." Despite this unpromising start, Waters demonstrated early the love of language that so distinguishes her work. Waters' birth in the North and her vagabond life exposed her to many culture, & gave to her interpretation of southern blues a unique sensibility that pulled in eclectic influences from across all American music. Ethel Waters: singer, dancer, actress, & evangelist, never be confined to a single identity. As a singer, she played with styles, doing what was called- “race music” & doing white standards.

Waters married at the age of 13, but soon left her abusive husband & became a maid in a Philadelphia hotel working for less than $5 a week. On her birthday- Halloween night 1913, she attended a party in costume at a nightclub in Philadelphia. She was persuaded to sing 2 songs, & impressed the audience so much that she was offered professional work at the Lincoln Theatre in Baltimore. She later recalled that she earned $10 a week, but her managers cheated her out of the tips her admirers threw on the stage.


She was a street kid whose highest aspiration was to be a lady's maid. Instead, she found herself in vaudeville. As an actress, in films like The Member of the Wedding, Waters gave the “mammy” roles real edge & depth. Her life was as varied as her singing. She was a Catholic who could swear like a sailor. She was a lesbian whose loud fights with her lovers made more proper lesbians like Alberta Hunter label her a disgrace to their tribe. She joined Billy Graham & toured the country. Her signature song had been Stormy Weather, but once she joined the Graham crusade, she never sang it again. Waters: “My life ain't stormy no more”, which was good for her & bad for her fans. Her best known recording was her version of the spiritual- His Eye is on the Sparrow.



In 1933, Waters made a satirical all-black film entitled Rufus Jones for President. She went on to star at the Cotton Club, where she sang Stormy Weather. Waters: “I sang it from the depths of the private hell in which I was being crushed & suffocated." She took a role in the Broadway musical revue As Thousands Cheer in 1933, where she was the first black woman to appear in an otherwise all white show. In addition to the show, she starred in a national radio program & continued to work in nightclubs. She was the highest paid performer on Broadway, but she was starting to age. MGM hired Lena Horne as the ingénue in the all-Black musical- Cabin in the Sky, & Waters reprised Petunia, her stage role. The film, directed by Vincente Minnelli, was a success, but Waters was offended by the attention given to Horne, & she was feeling her age.


She was nominated for a Best Supporting Actress Oscar in 1949 for Pinky. In 1950, she won the NY Drama Critics Award for her performance opposite Julie Harris in the play- The Member of the Wedding. Waters & Harris repeated their roles in the 1952 film version. In 1950, Waters starred in the TV series- Beulah but quit after complaining that the scripts' portrayal of African-Americans was degrading.


Waters was the second African American ever nominated for an Academy Award. She was voted into the Grammy Hall of Fame in 1998. Waters' recording of Stormy Weather was honored by the Library of Congress. It was listed in the National Recording Registry in 2004. Waters was approved for a Star on the Hollywood Walk of Fame in 2004. However, the actual Star has not been funded, & as of her birthday in 2010, public fundraising efforts continue.

Monday, October 25, 2010

Born On This Day- October 25th... Post Apocalyptic Bohemian Favorite- Barbara Cook

The Husband isn’t the musical comedy aficionado that I am, but he does have a theatre background & is a gay man of good taste & a certain age. So, it wasn’t difficult to rope him into my agenda of seeing Hedwig & The Angry Inch downtown & then hightailing to the Upper Eastside to catch a late night session with one of my most favorite performers- Barbara Cook in her cabaret act at The Carlyle. It was our 24th anniversary & we had seen her at the same venue on our 20th. I was hoping for a new tradition. To see one of my idols in that tiny venue, just inches away & listen to that gorgeous, august soprano doing the best music of the past century, & sharing it all with the man that I love… does it get better than that?




To gay fans of musical theater, cabaret, & superb singing, Tony & Grammy winner Barbara Cook has given 2 lifetimes' worth of happiness. In the 1950s she originated the leading roles in the musicals Candide & The Music Man. Today, among many other achievements, she is possibly the greatest interpreter of the music of Stephen Sondheim. Last season she starred, at 82 years old, in Sondheim on Sondheim, a new Broadway musical, along side Vanessa Williams & Tom Wopat. She was nominated for a Tony for her work. What Cook's gay fans may not know is that she is also the mother of an out & proud gay son, 51 year old Los Angeles based actor/ teacher/ vocal coach- Adam LeGrant. She tells of their moving journey together with the same warm heart & openness that she brings to her music.


Cook: "When he told me he was gay, I laughed. I laughed! Because it was the farthest thing from my mind. He said, `Mom, I'm not kidding.' It was like a thunderbolt, & I was very upset. The family & the grandchildren & all that stuff bothered me. But more than that, here was this person whom I thought I knew so well, and here was this enormous part of his life that I knew nothing about. I felt as if I didn't know my own son. I was very upset, not so much at the time, because I was in shock, & I also didn't want to make Adam feel bad. Then I went into a kind of depression, & really, really cried for 5 days & mourned the son I thought I'd had. On about the 5th day of that, I said to myself, What the hell is going on?"


Cook, who has been candid in the past about her struggles with depression, weight & alcohol: "I've always felt that I was not a part of the mainstream of life. I don't know what the hell I mean by that, but it's the only way I know how to put it. When I had a son, that seemed to connect me more to the stream of life. When Adam told me that he was gay, I felt, I'm no longer a part of the mainstream. & then my next thought was, my son is not here to make me feel comfortable. He's here to be the fullest person he can be, & what I have to do is help him fulfill himself as much as I can. & when that came to me, the whole thing lifted. I love him so much. I loved him then, & I love him now. & I like him…that's the thing."


Cook has long been involved with PFLAG: “What I will never, never be able to understand is how a family or a mother or father could ever be able to turn their backs on a child because of homosexuality, & do that to themselves, much less to their children. I can't understand how anyone could come to that."


As a youngster, I was such a little musical comedy queen. I had every Original Cast album of every musical, with a specialty in the little known shows & the flops. Among the collection were shows with Barbara Cook: Flahooley, Plain & Fancy, The Music Man, Candide, Showboat, The King & I, The Gay Life, & my favorite- She Loves Me!








I was already a fan before Cook resurrected her career with a successful turn to cabaret & concerts. In the summer of 1975, her Barbara Cook At Carnegie Hall Concert album was my most played record. I could not have been more excited when I had my 1st chance to see Cook live. I sent a note backstage at the cabaret at Studio One, a gay disco in West Hollywood. My missive explained that not only was I a huge fan, & a fan of her magical musical director- Wally Harper, but that the concert album was the soundtrack to my life at the moment, & that my date for the evening was not a fan of standards or show tunes, but a rock & roller that had come to love her from my constant playing of her music. I noted that she had won over a Led Zeppelin fan with her resplendent interpretations.


I was more than a little shocked when a clip board holding staff member of Studio One, asked those in line: Stephen? Stephen? Would you come with me? Ms. Cook & Mr. Harper would like to talk to you". I was shown into the tiniest dressing room, where I was treated to the thrill of a meet & greet with one the most splendiferous virtuoso performers of the popular song. She told me that she & Wally had gotten a real chuckle from my note, What could she have made of the young, gushing, saucer eyed fan with big red afro? Thank you for all moments, Barbara Cook. I am still a fan. You continue to look & sing with stunning, sublime style. Happy Birthday!





Just out this month on DRG Records- the 6 disc The Essential Barbara Cook.

Monday, October 11, 2010

Born On This Day- October 11th... Jerome Wilson Rabinowitz

There is the famous anecdote, I hear it 1st when I was in high school. He was well know for dressing down actors in rehearsal, & was not kind. Jerome Robbins had tantrum while directing West Side Story in preview in Washington DC, in a fit of pique, Robbins backed up & fell into the orchestra pit leaving the cast with big smiles on their faces.

 

Choreographer & director, Jerome Robbins was both a great choreographer of classical ballet & a Broadway innovator. He was so afraid that he might be outed as gay, & his reputation tarnished, that during the height of McCarthyism, he "named names" during a meeting of the House Un-American Activities Committee. Many major figures in the arts never forgave him.


Dance & Theatre critic Clive Barnes: “Jerome Robbins was an extremely demanding man, not always popular with his dancers, although always respected. He was a perfectionist who sometimes, very quietly, reached perfection."


Between 1944 & 1997, Robbins choreographed 66 ballets & choreographed &/or directed 15 Broadway musicals. During his extraordinarily prolific career he not only excelled in 2 different fields, but he also worked with uncommon versatility. In the 1950s, Robbins began to direct as well as choreograph, creating masterpieces: The King & I (1951), Bells Are Ringing (1956), Gypsy (1959), Fiddler on the Roof (1964), & West Side Story (1957). Unlike other directors of musicals, Robbins demanded that his actors dance as well as sing. His high expectations of the cast of West Side Story, for example, created what we now earmark as the triple-threat performer: actor/singer/dancer.


The extraordinary West Side Story was influenced by the fact that 7 members of the creative team were gay: Robbins, Laurents, composer Leonard Bernstein, lyricist Stephen Sondheim, set designer Oliver Smith, lighting designer Jean Rosenthal, & costume designer Irene Sharaff, plus to the original actor to play Tony- Larry Kert.






Bea Arthur: “Talk about a gift from God!" But he really wasn't a very nice person … Actually, he was the only director who ever made me cry. He was a really dreadful human being. Everybody hated him. I was friends with a dancer called Swen who raised Yorkshire terriers to do dog tricks. Whenever Swen had a party, he always left the door open. And at some point in the evening, he'd go to the doorway & look out & say, 'Oh my God, here comes Jerry Robbins!' & the little dog would fling himself against the door and slam it shut."



Jerome Robbin suffered a massive stroke & died at his home in New York on July 29, 1998. On the evening of his death, the lights of Broadway were dimmed for a moment in tribute. Among his many lovers is Montgomery Cliff.

Check PBS’s Great Masters- Jerome Robbins: Something to Dance About.


Wednesday, September 29, 2010

Born On This Day- September 29th... Madeline Gail Wolfson

To say that I loved her is to say too little. She left us too soon. The 1st time that I took notice of Madeline Kahn was in Peter Bogdanovich's What's Up Doc? (one of my favorite films of all time) as the hysterical fiancée of Ryan O'Neal. What a feature film debut!



I was lucky enough to have seen her on Broadway in On The Twentieth Century with Kevin Kline, She Loves Me with Barry Bostwick, In The Boom Boom Room, & off-Broadway in Marco Polo Sings A Solo, back in those crazy 1970s. Her legacy will always have the triple crown of the close succession of Kahn comedies: Blazing Saddles (1974), Young Frankenstein (1974), & High Anxiety (1977), all were directed by Mel Brooks, who many Hollywood observers claimed was able to bring out the best of Kahn's comic talents. She was nominated for an Oscar for Blazing Saddles & for her amazing turn in Paper Moon, again with Bogdanovich directing. Kahn won a Tony for Windy Wassersein's The Sisters Rosenweig.



She died of ovarian cancer in 1999, & my life has never been the same. She was truly loved by the Husband & Me. Just a few nights ago, we stumbled on High Anxiety while channel hopping & we commented on her genius. Madeline Kahn, you are missed. She would have been  68 years old today.

Monday, September 27, 2010

Born On This Day- September 27th... Songwriter Vincent Youmans

One of my personal favorite self-created playlists of the summer is my Happiness Mix. It has proved popular in my circle. The Husband & I listened to it on our car trip yesterday. It contains Ella Fitzgerald's version of I Want To Be Happy, which is really swinging. It got me thinking about the life of Vincent Youmans, who has a birthday today.
A friend of George Gershwin, Vincent Youmans had much in common with his famous friend: they both collaborated with George’s brother Ira, they both wrote pop songs & serious music, & they both, tragically, died young: George at 39 & Vincent at 47. Unlike George, Youmans left behind only a handful of songs that are truly famous: Tea for Two, I Want To Be Happy, Hallelujah, & the jazz standard Sometimes I’m Happy. For decades, a legend circulated that Youmans had left behind a trunk of unpublished songs, all notated in a secret code that only he could decipher. Music historians worked for years to determine if this was true. The trunk was discovered ,& the trunk contained unheard melodies & scores, written in his mysteriously mirrored & intricate Da Vinci-like code.



He came from privilege: Born in 1898 in Manhattan, he was raised on Central Park West. Youmans served in WW1, & while in the Navy, he fell in love with men & musical theater. After the war, he went to work as a song-plugger for the prestigious TB Harms Company, publisher of the Gershwins & Jerome Kern. Before phonographs, people purchased sheet music & sat around the piano at home & sing the hits of the day. It took talented pianists who could put a song over with panache to sell the sheet music songs to music stores. By performing the work of the great Tin Pan Alley songwriters of the day, Youmans grew familiar with the infrastructure of hit songs, & quickly decided he could create his own.


As a composer, he turned to other lyricists, & collaborated with the greatest: Oscar Hammerstein II, Irving Caesar, Leo Robin, Billy Rose, Mack Gordon, Buddy De Sylva & Gus Kahn. With Ira Gershwin, he wrote songs for Two Little Girls In Blue, which became a big Broadway smash in 1921.


The greatest triumph of his life was No, No Nanette. With lyrics by Irving Caesar, it became one of the most successful musicals of all time, with simultaneous productions on Broadway & London during much of the 1920s. It has been revived many times, & has been reinvented several times throughout the years. In the 1940s a version featured the beloved tap dancer- Ruby Keeler, which played on Broadway even longer than the original, & was a huge hit again in the 1970.


Youmans wrote songs for movies, most famously for Flying Down To Rio, with Fred Astaire. But his heart was on Broadway, & unfortunate failures followed, shows which bombed & closed quickly, although the songs he wrote for them were always memorable. In 1932 he took one more chance with a Broadway show- Take A Chance, but it also failed. Disheartened, he retired in 1934, after a career of only 13 years, but worked undercover for years on the songs & scores in his secret trunk. Youmans returned to Broadway in 1943 with a colossal & ambitious extravaganza called The Vincent Youmans’ Ballet Revue, which merged classical & Latin music. A failure of unprecedented proportions, it lost more than $4 million dollars, & this fiasco might have been the reason for the secret songs in his hidden trun , but its failure, along with a drinking problem & a life in the closet helped to bring on his final emotional & physical decline. He died alone & largely forgotten in 1946 of TB.


Tea For Two, his most famous song, is an ideal example of his economic use of short melodic phrases. Irving Caesar has said that the opening section was actually a dummy lyric on which Vincent could write a melody, but it worked so well, they kept it. The song is unusual as a hit, it is written in 2 keys at once:-A flat & C-major, a musical fusion that the Beatles would use 40 later, but which was mostly unheard of in the 1920s. Youman’s modernization of the American pop song inspired the musicologist Alec Wilder to say that Youmans was “one of the innovators of American popular song, & one of the truest believers in the new musical world around him.”